With mesmerizing skill and instrumental memory, the SF Jazz Collective coalesced homage-paying with legacy-building. Eight strong, this compilation of great artistry provided a riveting performance at UCLA’s Royce Hall Auditorium, honoring jazz giant Wayne Shorter. The audience received more than a show. An experience was delivered—via vibraphone, saxophone, trumpet, trombone, bass, drums, and piano.
The musical resumes of the members of the SFJazz Collective are more than enough to warrant undivided attention from audiences across the globe, as Grammy victories and nominations are prevalent throughout their histories. However, from the show the group put on, one would think each musician had something to prove to the audience, for the entire performance created an audience that sat captivated, by both passionate and rhythmic renditions.
Vibraphonist Stefon Harris’ ardor funneled into every bang, as he commandeered up to four vibraphone utensils at a time. For moments, Harris was a kid and the sounds he gave the audience were candy. Miguel Zenon, on the alto saxophone, could be seen numerous times giving in to the music, bending his knees while playing, so as to reach even further into his diaphragm for more air to give. Bassist Matt Penman, who chose to steady the action early on, came to the forefront on his own composition "The Angel’s Share"—as all of the musicians did at some point during the performance—to show his breadth, and the bass’ depth.
Joe Lovano, on tenor saxophone, played with the eloquence of spoken word, effectively honoring the timeless Shorter piece "Infant Eyes." Lovano showed the audience the irony of the sax—its forceful softness; masculine compassion. Some of the musicians who stood up front with Lovano even relinquished the limelight for a second, allowing the dim blue lighting to highlight only Lovano. The respect and adoration each member of the SF Jazz Collective has for one another could be seen in every element of the performance, from the take-turn manner in which songs were introduced, to the collective on stage head nods seen in response to other Collective members’ playing.
The newest member of the SF Jazz Collective, Robin Eubanks, gave the performance a true Blue Note feel with his composition "Breakthrough." Pianist Renee Rosnes made lasting impressions and sounds with her fingertips. Eric Harland kept Royce Hall on beat with his drum-playing, as well as showing his mastery of shakers.
The SF Jazz Collective provided all in attendance a great time. With their cohesive and skillful playing, they paid Wayne Shorter complements over and over again. Each sound, whether predicated or improvisational, gave Shorter a proverbial and much deserved “thank you.” I believe “thank you” is in order for the SF Jazz Collective as well, however, I am not sure if it will sound as good.
