William Wordsworth once wrote that “poetry is the spontaneous overflow of powerful feelings… recollected in tranquility.”

If we assume Wordsworth is right, we have to grant that anyone can be an artist. Obviously, almost everyone has the capacity for emotion and reflection. But in the means of their expression, all are not created equal.

Our society demands equality but prizes individuality. We find ourselves torn between poles of conformity and independence – handcuffed by our own aspirations.

The true artist is he who finds the middle ground and expresses it with clarity.

Enter Human Brother – the stage name of emerging Los Angeles-based artist / songwriter / producer / renaissance man JD Shultz. Human Brother’s debut album, “Vision Days on the Life Ride”, dares to be bold, and succeeds stunningly. To the untrained ear, characterizing Human Brother’s sound would be an exercise in futility. He draws inspiration from so many sources that to lump him into one category seems an affront to his sublime genre-bending effort.

Shultz calls his creation “Hu-Manitronic”. That may, in fact, be the most fitting description, as “Vision Days” so clearly embodies everything that we should be proud to call human. The pain and joy of everyday existence swirl in a watercolor of sound. Guitar elements and chord progressions are often reminiscent of Northern European and South Asian influences, but still cannot fully encompass the breadth of content that “Vision Days” offers. Each song captures a different feel, featuring hybrid elements ranging from 80’s-style synthpop to uptempo electronic to alt-rock.

The album leads off with “Floor on Fire”, a powerful composition replete with electronic influences and thumping bass. Next up is “Behind You Now”, a song filled with longing for simpler days. Batting third is “You Are Everything”, a united celebration of all things human, featuring Turkish violins and resounding African choirs.

“When Will I”, the most hauntingly beautiful track on “Vision Days”, is naked in its sincerity of emotion. He deals in simple truths on a personal level, and we find comfort in communion with his honesty.

Following “When Will I” is “The Lucky Ones”, a song that reflects on what could have been. “Step to the Side” is a light but provocative electronic piece with a message – greed is the wool pulled over our eyes. “Stars Are Ours to Name” is innocent and playful, in the realm of Neil Young or Beck, but it reveals a deeper vulnerability in the artist. “Torture and Grace” rounds out the first ten tracks with a feel that fuses funk, jazz, and rock.

The word for “poet” in Greek literally means “maker” or “creator”. In “Vision Days”, we find a lyrical quality that ascribes directly to the Greeks’ meaning of poet – Shultz is a creator in the truest sense of the term. He derives originality from the fact that his lyrics are completely devoid of affectation.

Anyone can write down his feelings, but few are so gifted with the ability to express them. “Vision Days on the Life Ride” strips away pretense. What’s left? Purity of sense and of action. The distillation of purpose.

Human Brother is a soul laid bare.

To hear the album and learn more about JD, visit www.humanbrother.com, www.jdshultz.com, www.playpenmusic.com

To read our article on JD Shultz and his art donation to the Grammy charity Musicares, click here…

With comparisons to U2, Snow Patrol, Kings of Leon, and Bruce Springsteen, Honor By August is on the right path. Their music is inspired by observations on life, loss, love and hope. According to The Washington Post, Honor By August is “Now widely considered one of the most promising new talents on the East Coast.” MetroMusicScene.com raves that Honor By August makes music characterized by distinctive, inviting vocals and anthemic, reverb-drenched guitars.

 They are a group built on “award-winning songwriting, strong vocals, catchy melodies, and dynamic live performance,” as stated by Jenni Chase of Washington’s Z104/OnTap Magazine.

Claiming Their Ground

Honor By August has already been fortunate enough to share a stage with artists including Bon Jovi, Third Eye Blind, Vertical Horizon, Peter Frampton, Hootie & the Blowfish, Edwin McCain, Hanson, Pat McGee Band, Virginia Coalition and their work is just beginning. They have also worked with Grammy-winning producers, mixers, and engineers including Jack Joseph Puig (U2, Snow Patrol, Rolling Stones), Paul David Hager (Goo Goo Dolls), Jeff Juliano (John Mayer, O.A.R, Lifehouse), Toby Wright (Third Eye Blind), and Ted Comerford (Virginia Coalition).

The band originated in the east coast and is now traveling all over the country to states including New York, Pennsylvania, Connecticut, Virginia, North Carolina, South Carolina, Texas, Florida, Illinois, Missouri, Ohio, Mississippi, Alabama, Georgia, Tennessee, Washington, Oregon, and California, among others. They will be promoting their most recent release “Found”, which is sure to be a hit!

Honor By August

Michael Pearsall: Vocals, Guitar


Evan Field: Lead Guitars, Backing Vocals, Piano


Chris Rafetto: Bass, Backing Vocals, Piano


Brian Shanley: Drums, Percussion


For more information, visit www.HonorByAugust.com

Los Angeles based Thirty Seconds to Mars has released their newest album titled, “This Is War,” on Virgin Records. “This Is War,” is more than just a reference to the band’s personal battles, a commentary on global crisis and economic turmoil and homage to their now infamous $30,000,000 lawsuit with Virgin Records but also an 18 month creative battle fought ferociously, but privately, inside a studio tucked in the hillside of a Hollywood Hills home. This album represents an “industrial” revolution with sonic landscapes and pop -sensibilities. With their cover art of a ferocious tiger representing their tenacity to persevere Thirty Seconds to Mars puts forth a creative effort than builds and grows on you the listener.

“This Is War,” is a major leap for the band, one that cements the trio, (Jared Leto, lead singer, drummer Shannon Leto, and guitarist Tomo Milicevic) as a world class arena-crushing rock band. Thirty Seconds to Mars is triumphant in their ability to build a sonically epic and industrial driven 12 songs.

The lead track “Escape,” and the closing number, “L490,” relies on the droning chants of authentic Tibetan monks. One of the most unique and totally inherent aspects to this album is the successful use more than 100,000 strong legion of infamously dubbed The Echelon — a singing group in unison throughout the record. “The Summit” took place at Hollywood’s Avalon Club in April 2009 and was comprised of roughly 1,000 Echelon who traveled from around the world to lend their stomps, shouts, screams, claps and hums to the record.

The success of the initial Summit quickly manifested into eight additional Summit’s held around the globe, resulting in tens of thousands of participants. Embracing the digital culture that has for years buoyed the band’s global success, Thirty Seconds to Mars introduced the “Digital Summit,” in August 2009 and invited anyone with a computer or mobile recording device and an Internet connection to record sounds and vocals and submit them through TwitVid. As a result, entries poured in from the U.S., Australia, Italy, Germany, France, Japan, Mexico and, the UK, Canada and Iran, giving Thirty Seconds to Mars’ biggest supporters around the world an opportunity to be a part of the new album. The Echelon can be heard on their first single, “Kings and Queens,” which also features the true sound of a hawk chirping, “100 Suns,” a beautiful acoustic rendition, and “Vox Populi,” with the droning marching industrial beat. The Echelon brings a whole new dynamic to their upbeat and at times pop-driven tunes.

“Night of the Hunter,” features the voice of a French girl narrating the track once again using the ever present industrial sounds to drive the song forward. The lyrics deal with the idea of rising above it all, rising above pettiness. “Hurricane” also is in the industrial vane and makes good use of steady sounds of a piano. “Alibi” is another piano driven tune about strength to get up when you’re down.

The brains behind this album lie in the hands of the most influential producers in the world: Flood (U2, Nine Inch Nails, Depeche Mode, Smashing Pumpkins) and the great Steve Lillywhite (U2, The Rolling Stones, Peter Gabriel). Flood and Lillywhite gave the band the freedom and confidence to explore different sounds, textures, and ideas. The band set out to make a classic album by pushing themselves to a place they all knew wouldn’t be easy to go to. The duo succeeded in heightening the emotional power of the songs, revealing themes of faith, morality, vindication, freedom and resurrection in recording their most personal and politically charged project to date.

KROQ Radio claims they “will rule the universe.” The Killers hand-selected the relatively unknowns to open for them on their 2008 North America tour. Yet these elusive young musicians don’t even have an album out yet (their debut, “Habits,” is due in stores and electronically March 16,2010).

So who is the band that has made so much inroad onto the music scene in such little time? Neon Trees.

Neon Trees

Who?

Never heard of Neon Trees? Ask your teenager. Neon Trees, from Provo, Utah, is part pop/part organic rock played frequently on alternative rock radio stations. Loosely formed in 2001 in an early incarnation, Tyler Glenn met guitarist and fellow co-founder Chris Allen while they were living in Southern California’s Temecula area. Neon Trees’ current lineup includes Tyler, Chris, Branden Campbell on bass and, breaking the mold, a rocking young female on drums – Elaine Bradley.

The new-wave sounding band has been getting ready for the official launch of their debut album with major label Mercury Records.  The first single from the album, “Animals,” has already received a fair amount of airplay  and created noise among fans and music bloggers alike. “We’re excited about our album”, says Tyler. “You only get one chance to put out your first record – and we want it be our best effort”.

During the calm before the storm, LA’s the Place’s Helen M. Ryan got the inside scoop about music, passion,  touring, and happiness in a chat with frontman Tyler Glenn before he headed off for a much-needed week of rest. The vocalist, sporting a side-shaved hairdo and easy demeanor, intends to use this week with his family to prepare for the upcoming hullabaloo around “Habit”’s launch. “I’ll be wearing sweat shorts for a week”, he says. “And not doing my hair”.

Read the complete interview with Tyler below.

Neon Trees Poised for Fame

Magic from Deadbeats

Helen M. Ryan for LA’s the Place: When did you develop a love for music?

Tyler Glenn: I was four years old when I first started listening to Michael Jackson and Eric Clapton…those groups I heard in my parents’ living room. My parents saw me dancing and said, “that boy has rhythm”. Then I starting writing  own songs (around 6 years old). Mostly show tunes.

LATP: When did you know you wanted to make music?

TG: I was not good at sports and learned I didn’t have to be in sports. My mom put me in dance classes and I fell in love with the music and rhythm…and started singing along to music. In middle school realized could be in band, write songs and have bands play them. Of course, we were terrible with our garage bands but we tried.

Chris and my fathers worked in same office building and we knew of each other. We never hung out because we were a few years apart. Neither of us had many interests. Chris’ dad knew Cris wanted to be a “rock star” and I wanted to be that, too. Our dads met and suggested we hang out and write songs together. We wrote a bunch of songs and they ended up being kind of rad (at the time). I loved the chemistry we had when we made music. There was a certain magic when we wrote.

I followed Chris when he moved to Utah to go to college so we could continue to make music. I was trying to distract him from school, almost. We played and played and played. And it grew from there. The rest of our current group joined in 2007.

The Passion Behind the Music

LATP: How did you stick to what made you passionate? How did you not let others’ doubts distract you, and not be talked out of music? What advice do you have for others?

TG: I realized that the starving artist lifestyle is real and knew I would have to sacrifice a lot. I knew I would have a lot of people doubt me. But I saw that this was so possible in my own mind. It was exciting because I was kind of wishy washy in my own life… But with music I could make a goal and stick to it…and reap the fruits of that labor. I realized, too, a lot of friends come and go and your family says you should maybe go a semester of school. I’m not saying you shouldn’t work or go to school, but you should commit. I gave myself two years and if it wasn’t going anywhere by then, I would stop. But at the end of two years  we were writing very well.

Advice? Make a goal and believe in yourself and believe that it’s possible. I didn’t have a lot of confidence in anything else. Sometimes I still don’t. But with the music and being on stage, I do. I am in my element.

The Big Break: Touring with the Killers

LATP: How did you get on The Killers tour?

TG: It was a weird time when we were all broke. We were back living in Murrieta, writing. We wanted to be closer to LA because our  manager was there and he was helping us with developing our music. We focused on that. Then we played a very small show for ten people in Las Vegas. Ronnie from the Killers was there and he saw that we played no matter how many people were there – and we played to a bigger audience. He called and asked us to open on a couple of dates.

LATP: How was the experience?

TG: I didn’t have too many expectations. I actually expected to be treated – well – less than we were treated. We were the opening band. “Get them on, get them off”. But it wasn’t like that.  It was a great forum to play for a huge audience and the band was super nice. We received comments from The Killers’ camp that we were the best-received opening band they had had. We were doing something right  and felt, “This is rad”.

LATP: What was the reaction you received after The Killers tour?

TG: It was a big deal and shook up some of the labels that had a little interest in us. What’s this unsigned band from Utah doing opening for one of the biggest bands in America? Mercury invested the most time with us, and fostered a relationship.

Inspiring Happiness

LATP: What’s your inspiration?

TG: Bruce Springsteen. I really discovered The Boss in ’01 or ’02. Bought every album. Bought books and books and books. Watched interviews. He’s a huge influence on me. He and Michael Jackson are examples of the kind of pop star that can turn heads and make people scream. I think that’s so powerful, in a cool way. It’s about making people feel good. I want people to feel that happiness. I am a big fan of rock stars.

On Writing

LATP: How do you write? What inspires the songs?

TG: It’s different with each song. 2-3 of the songs were written by the band in our practice space. Some songs were hard to write because they were pre-written, and about dark things. Animal and Your Surrender, for example, were “in studio” writing, and created that way. Everything is personal and comes from real places…made in a way that people can still relate to. I was taught, “write what you know”.

Aspirations – With a Twist

LATP: Who would you like to work with? Not necessary an idols, but who would make an interesting mix with you?

TG: I’ve wanted to work with Alicia Keys. She’s an amazing artist. She doesn’t need a lot of the glitter and glam. Lady Gaga brings credibility back to pop music. An MO that we also have – bringing credibility …bringing back the art to pop music A female vocalist would be something. Karen O of the Yeah Yeah Yeah’’s  – someone with a spark that’s unique to them.

LATP: Future plans? Any interesting in acting?

TG: I love entertaining. I was always in plays. I get the same passion from acting as I do music. I do know I have found an extreme passion for cooking, too. I get the same rush cooking in kitchen and creating a meal as I do being on stage. I am euphoric when I am creating and using ingredients that taste good. It would be fun to make a cookbook or have a little café or something.

Veganism Rocks

LATP: Many big bands and artists are vegans. I’ve learned that you are, too.

TG: Yes, for eight years. I was always kind of a vegetarian (since about age 13). I dabbled in veganism and decided to commit around 18 or 19. I wanted to be healthy and lose some baby fat. I started reading and learned the benefits of it, environmentally. I’m not a radical environmentalist…I just loved the way I felt after I switched. It felt right. I am  be one of those vegans that would never force it on an anyone else but would advise people to look into it.

I don’t believe in wearing fur or killing animals for that. I have a spiritual side that believes animals are on the planet for a reason. I think if people chilled out a little more and became more educated – even if they didn’t completely stop eating meat or animal products – just became more educated – the world would be happier and cleaner, and people more healthy.

The Future’s So Bright…

Though the band is young, there is a lot of promise on the horizon. In addition to their “Habits” release, the band is performing at South by Southwest, and appearing on Jimmy Kimmel Live. As for the stresses of fame? Though their official web site name is “www.fameisdead.com” the band’s stance on that will be put to the test as their fame continues to grow.

“We’ve made a lot of strides”, says Tyler. “The band is really excited. There are more opportunities  each week. A cool new show, a new tour. It’s a good stress”.

Learn more about Neon Trees at

www.fameisdead.com
http://www.myspace.com/neontrees

Artist and musician JD Shultz is a man on a mission. For the 6th consecutive year, he makes his way to the Los Angeles Convention Center – with a gift under his arm. His gift is his art – a 4×6 foot original painting called “Reality of Dreams” he created for the 2010 Grammy/MusiCares silent auction. Over the last 6 years, his art has raised nearly $60,000 to help musicians in need.

Aside from the MusiCares Foundation, his endeavors have also raised money and awareness for numerous charitable foundations, including The American Heart Association, The Art of Elysium, The City of Hope and The Drukpa Foundation.. Shultz  is also the current featured artist of TheButterflyEffectFoundation.org.

Local to LA, Shultz spent his youth under the tutelage of his parents, pioneers of the Los Angeles Art Show circuit in the 1970’s. He was given paintbrushes and drumsticks in his early childhood. Now, he stands on the precipice of stardom in the worlds of art and music.

The art of JD Sultz: "In Stereo".

Despite selling a few thousand of his own paintings over the last 10 years, JD has managed to keep everything in perspective. “It humbles me that my art has been received so well by so many people”, says Shultz.

His art has been described as “complexity at its most whimsical” – mirroring his own brand of playful and inquisitive genius. Even some of the biggest celebrities have chimed in with their praise:

“I love JD’s art. His work is both inspiring and timeless. My entire family enjoys the bright and youthful ambience his art brings to a room”.  Actor/musician Will Smith. 

“JD’s art is so optimistic in nature. The brilliant colors and whimsical style that he employs is truly uplifting and inspirational”. Professional athlete Lance Armstrong.

The Music

Under the artist name, Human Brother, JD just launched his debut album, “Vision Days On The Life Ride”, in tribute to his late mother Carole.

The concept behind Human Brother is as deep as the man himself. He derives this sonic masterpiece from his electro and alt/funk rock roots to the ethnic sounds from all over the globe. “In today’s rocky climate, and with all the uncertainty and separation in the world, I wanted to establish a connection between people from all walks of life“. “Music can be a powerful healer and communicator“. says Shultz.

A true renaissance man, Shultz wore all the hats on this one. He wrote, produced, engineered, played all the instruments and mixed the album himself at his home studio in the Hollywood Hills. The result is a sound unlike anything else in music history.

Exploring multiple genres, “Vision Days On The Life Ride” presents an inviting and universal perspective, covering influences from the past four decades. The album is as soulful and reflective as it is provocative.

JD Shultz performs at the Viper Room.

Utilizing extremely varied instrumentation, from Turkish violins and hypnotic beats, to rock guitar and African choirs, Shultz weaves together a multitude of sources to sculpt a new sound that stands alone.

Shultz’s vocal stylings  has drawn comparisons to giants of the industry: Bono, Robert Smith, David Gahan, Peter Murphy, and Perry Farrell. “Vision Days On The Life Ride” could easily become a benchmark for future artists.

See below for a sampling of the songs of Human Brother from “Vision Days On The Life Ride“, and stay tuned for my upcoming review of this album.

To learn more about this crucially important artist for 2010, go to www.jdshultz.com for his art, and www.humanbrother.com for his music.

Listen

Santa Barbara based campy recording artist Katy Perry has released “Katy Perry MTV Unplugged Limited Edition CD + DVD,” on Capitol Records/MTV Television.” The multi-platinum singer-songwriter puts her unique signature of global pop culture on this engaging CD/DVD recorded live in New York on July 22, 2009 presenting some of her most well-known songs in a whole new way. She has put forth songs like her No. 1 hits, “I Kissed A Girl,” “Waking Up In Vegas,” along with the No.1 Video “Thinking of You,” and popular tracks, “Ur So Gay,” and “Lost,” from her debut album, “One of the Boys,” which has sold five million copies worldwide.

The DVD also features live performances and an interview section where Perry answers your pressing questions. The package comes with a CD version of five recognizable songs, a cover version of the Fountain of Wayne’s song “Hackensack,”  and the never before released original song, “Brick by Brick.” The DVD offers the MTV Unplugged performances and Interview with Perry section.

Perry dressed in a willowy white like wedding grown delivers a`rousing performance starting off by singing a jazzy remake of her most recognizable tune, “I Kissed A Girl,” where she is expressing herself by suggesting that she wants to discover her sexuality. She goes into describing in the interview section of the DVD how “Ur So Gay,” is one of her favorite songs and taps into her experience with an ex-boyfriend who went about wearing her clothes and getting into her eyeliner. This track uses a horn section again re-mixing the song with jazzy elements to this popular tune.

“Hackensack,” she reveals that this cover version of Fountains of Wayne is the perfect song explaining that when you are on tour an awhile away from the person you love it’s always nice to know that there is somebody to come home to. This song reveals a more country vibe and explores the use of a string section.

“Thinking of You,” Perry says that this song is one of her favorites to play live where she strips down the song using an acoustic guitar with her breathy vocals about the feeling of being love struck and having a longing feeling for that loved one. “Lost,” Perry explains her faith based background and how you can go from a small town to the big city and the feeling of getting lost. The song explores that strong experience of soul searching. Perry explains that many of the songs on “One of the Boys,” were created when she was 17-23 where she is sharing her experiences in her life without airing her dirty laundry and how she has toughened up with her stint on the ’08 Warp Tour.

“Waking Up In Vegas,” is a wild song about being hung-over and broke and out of conrol. Finally, “Brick by Brick,” is where it all started for her a song that she would eventually like to put out on an acoustic record…it’s about not throwing it all away and not giving up on the “us”. You may be in different places figuratively and in reality, but you can make it work out.

Katy Perry joins a distinguished roster of MTV Unplugged performers including Eric Clapton, Tony Bennett, Nirvana and others. Katy Perry is only the fourth artist in history to have 4 singles, 3 of which went to No.1 from a debut album. Perry is a Brit Award winner and MTV Europe Music Award winner, and is also a Grammy Award winner, MTV Video Music Award and Teen Choice Award nominee.

This CD/DVD combination gives you a porthole in the mind behind the music and creative process of Katy Perry. She explains that all of her music is based on life experiences as she reveals that she is like a sponge soaking up all kinds of ideas for her songs and music.

“Everything seems easy when you’re 17,” All American Rejects lead singer Tyson Ritter told excited fans at The Roxy in Hollywood while recounting their last trip to Los Angeles. Eight years ago, four boys jumped into a van and drove 18 hours towards LA. Once in Los Angeles, the boys “tore that shit apart” – at the Roxy. The boys, now men, tore the very same Roxy apart again on the final stop of their 2009 tour supporting their latest album “When The World Comes Down”.

Tyson Ritter at The Roxy

West Hollywood Comes Alive

Though the All American Rejects can certainly fill much larger venues than The Roxy, the small club’s intimate atmosphere had the band up close and personal with their fans. Performing under bluish Christmas lights on a stage just feet above a roaringly appreciative audience, AAR made the night their own. Lead vocalist Ritter, shirtless and body-glittered to the max, pumped up the crowd from the very first notes. Opening with their thumping, motivating hit, “Move Along”, the always-smiling Ritter exuded energy and confidence as he connected with the mostly college-age audience.

The boys from Stillwater, Oklahoma, shared music from all three of their albums. Not only were fans treated to hits such as “Dirty Little Secret” and  “I Wanna”, but were also made privy to Ritter’s sharp sense of humor. While asking the audience if they’d heard their latest album, he shouted out to the adoring crowd, “You can buy it or you can steal it, as long as you f***** feel it”.  “Feel it” is exactly what their fans did.

Tyson Ritter of the All American Rejects Pumps It Up

The young rockers held nothing back during their performance. Ritter sang with relentless energy while guitar riffs flew nonstop between guitarists Mike Kennerty and Nick Wheeler. There was never a break or lull in the show, demonstrating exactly how passionate the band is about performing. ..passion that is obviously shared by their fans. Ritter threw caution to the wind several times by flinging himself off the stage and into the crowd, surfing happily on a sea of adoring shoulders. Ending the show with their most recent hit “Gives You Hell”, the always-evolving group was young rock at its best…happy, grungy and quite simply fun.

No Rejection for the Rejects

Nick Wheeler

By music industry standards, the boys from Oklahoma discovered success fairly quickly. Ritter and Wheeler founded the band while still in high school and released their first EP, “Same Girl, New Songs” in the summer of 2001. Rhythm guitarist Mike Kennerty and drummer Chris Gaylor added their talents to the group in 2002. The band’s self-titled debut album was released that same year where it sold over 1 million copies in the U.S.. 2005’s “Move Along” shot the band to stardom with the smash hits “Dirty Little Secret” and the title track “Move Along”, cementing the quartet’s spot on the music charts.

Keeping with the band’s tradition of moving fast and hard, 2008’s “When the World Comes Down” brought the band its most successful single to date, “Gives You Hell.” The song made it to the #1 spot on the Mainstream Top 40 and Adult Top 40 Track charts, and broke the band into the top five on Billboard’s Hot 100.

What’s next for the four-some? Despite whispers of infighting, there’s a  potential new CD in 2010 and a Vans Warped Tour scheduled for this summer. The boys work hard and their rise to fame fast but not always easy. Says Ritter, “In the end, we’re just a band, close friends, who care deeply about what we do. When the bullshit eventually dies, love survives. I’m no rock star or hometown hero. I’m just a nobody. And like the song says, you’re nobody ’til somebody loves you.”

From the reaction of fans at The Roxy in Los Angeles, the group is definitely loved – and definitely somebody.

For more information on the All American Rejects, visit their web site www.AllAmericanRejects.com

Rio

“Rio,” new 2CD special limited edition will be housed in a deluxe, 52 page case-bound book with canvas cover finish. Released in 1982 “Rio,” was Duran Duran’s second album. Fueled by their ground breaking cinematic music videos, leading man looks and staggeringly heavy rotation on MTV and radio for the albums singles including the title track, “Hungry Like the Wolf,” and, “Save A Prayer,” Duran Duran shot to superstardom, topping the charts around the world. In the US the Double Platinum album spent 129 weeks on Billboard’s Pop Album charts. It’s fantastic to have a vast collection of their work in one place on this 2 CD disc set.

Live At Hammersmith

“Live at Hammersmith ’82” as in London, England, has long been sought after by Duran Duran fans. Previously unreleased, the 1982 concert was filmed and recorded at London’s famed Hammersmith Odeon as Duran-mania was sweeping the world. The performance features signature hits including, “Rio,” Hungry Like A Wolf,” “Girls on Film,” and “Save A Prayer,” as well as fan favorite, “Make Me Smile (Come Up and See Me)”, among others. The set’s DVD includes the full concert, as well as music videos for tracks from the “Rio” album and two previously unreleased “Top of the Pops,” TV performances from 1982. There is a small leaflet with pictures of all of the original band members slipped inside the DVD case.

Included on the DVD

The DVD starts off with their legion of screaming fans as Duran Duran dives right into their massive hit  “Rio,” as their opening song. They have the big hair that was characteristic on the ‘80s and they are dressed in the regalia of that era. The Hammersmith concert features all of the original members of the band Simon Le Bon, Vocals, John Taylor, bass guitar, Nick Rhodes, keyboards, Andy Taylor, guitar and Roger Taylor drums. Duran Duran explored the use of the synthesizer that became the signature of the band giving them their characteristic sound. The problem with the DVD is that the quality of the disc is less than stellar. At times it looks like amateur video. Duran fans will be pleased that all of their favorite songs are in one place on the DVD.

Besides the concert footage the DVD contains videos from the “Rio” period exploring “My Own Way,” “Hungry Like A Wolf, “Save A Prayer,” “Lonely in your Nightmare,” “Rio,” and “The Chauffeur.” All of the videos carry an island motif featuring beautiful, exotic women. These videos set the standard and bar for videos of future recording artists. Nothing was ever the same for future videos to come.

Two more performances are featured on the DVD. They include songs featured on the Top of the Pops…the English version of American Bandstand. “Hungry Like A Wolf,” and “Rio,” were performed where the band and concert goers wear clothing that have now come full circle.

In a career spanning 30 years, Duran Duran has sold more than 100 million records around the world and has achieved 21 Billboard Hot 100 charting singles in the U.S. For more on Duran Duran www.duranduran.com

GBK Productions took the phrase “green with envy” to a new level with their star-studded and environmentally conscious GBK Music Lounge that honored 2009 American Music Award nominees and presenters. The event was held in a luxurious penthouse rooftop space above Evo-South, the first LEED Certified condominium in downtown Los Angeles.

Evo-South

Only steps away from LA Live and Staples Center, Evo-South is the new home for those wanting to live right where the action is. Located in Downtown, Los Angeles, the building has some of the nicest rooftop views and balcony getaways. The resort-like amenities definitely make Evo-South the place to be. With rooms ranging from studios to townhouses, Eve-South puts its stamp in Downtown while maintaining a green lifestyle.

Event Highlights

A recipient of the BizBash Award for “Best Gift Bag,” GBK pulled out all the stops in producing a hip but environmentally friendly event. GBK’s Music Lounge featured an incredible sampling of food, beverage, gifts and (of course) great music. Famed musical mixologist DJ Shy (www.myspace.com/djshy) set a festive tone for the evening.

LA Modern Living/ Plush Lounge, co-designers of GBK’s Music Lounge, created a visually stunning experience. The exclusive list of celebrities, VIPs, and invited media guests enjoyed a green environment, complete with eco-friendly organic flowers from OrganicStyle.com. Organic Style also gifted a trademark bag containing a gift card and a variety of eco-friendly products. www.OrganicStyle.com

Organicstyle grows roses 6 feet tall

Lexani (www.lexani.com) gifted a VIP “Black” card that offered a variety of benefits to the recipient. Lexani is a provider of luxury alloy wheels and offers an extensive selection of designs and customizing options.

Lexani rim with real rubies and diamonds.

T.O.O.B (www.thinkoutofbox.com) is a pioneering company focused on evolving the digital experience. They provided the GBK American Music Awards event a one of a kind gaming opportunity with an immersive Omni-directional digital screen that allows for a full range of visual experiences.

Prep Couture

Prep Couture dressed the celebs at GBK’s gift lounge with handcrafted masterpieces. Made in Los Angeles, Prep Couture pieces are made with hundreds of Swarovski crystal, hand stitching, rich embroidery and an edgy style that exudes class and elegance. The philosophy of the company is positive messages and greatfulness for the blessings in life.(www.prepcouture.com)

Disney's Demi Lovato and American Idol judge Kara Dioguardi adored Prep Couture's pieces.

Tecmo Inc:  Working along with T.O.O.B to create a unique digital gaming experience was Tecmo Inc (www.tecmogames.com), a global developer and publisher of interactive entertainment software for current generation consoles, handhelds and digital downloads. Tecmo also gifted copies of Ninja Gaiden Sigma 2, an intensely challenging an action-packed ninja adventure available exclusively for the PlayStation 3 entertainment system.

GBK’s Presenting Sponsor Hard Candy (www.hardcandy.com) was in attendance with a celebrity makeup artist utilizing samples from the Hard Candy collection. The feverishly talked about collection features a variety of items, including their Just Nails polishes.Hard Candy products on displayIndulgent Escapes (www.IndulgentEscapes.com) provided luxurious multiple night stays in one of the Mexico or Caribbean resorts. The team at indulgent Escapes is well versed in travel and vacation destinations and applies that wealth of experience when helping clients plan the vacation of their dreams.

Leona Lewis at the Hard Candy table

100 Candles (www.100candles.com) added a finishing touch to the event décor with their well known vanilla scented and battery operated candles.

Arnold Zimberg

Celebs and invited guests didn’t just walk away from GBK’s Music Lounge feeling better about the environment; they also looked better with attire from Arnold Zimberg (www.arnoldzimberg.com). Arnold Zimberg, a designer of contemporary woven shirts, presented washed shirts with unusual trims for men and women.

Arnold Zimberg's new stylish shirts

Blessed Charm

Accessories were all the rage as Blessed Charm (www.blessedcharm.com) gifted pieces from the incredible line of jewelry. Blessed Charm creations include handmade sterling silver and 14k gold and diamond jewelry that represents the sentiments of feeling blessed, presenting good Karma whenever and wherever possible.

Blessed Charm creator proudly displays her work

Silent Gypsy Jewelry had the celebs at GBK’s event buzzing over the wide selection of pieces from their brand new collection, featuring a mix of layerable necklaces and rocker pieces. www.silentgypsyjewelry.com).

Michael Stars

The GBK Music Lounge wouldn’t have been complete without designer fashions from Michael Stars (www.michaelstars.com) new holiday collection. The two decades old T-Shirt Company is renowned for their inventive design of fitted shirts.

Emilie Sloan

Guests also received a Stasha Carry-All Tote from Emilie Sloan (www.emiliesloan.com). The stylish tote bag is an all purpose accessory, ideal for the beach, gym or even a quick weekend getaway.

Emilie Sloan displays her colorful totes

The Sampler

No gift lounge is complete without a little intrigue and The Sampler stepped up to the plate with a selection of surprise gifts in every gift bag. Finding out what was in each individual bag was a blast as each featured a unique assortment of handmade items from independent designers, like t-shirts, jewelry, stationary and more!

The Sampler's variety of gifts

Glamour Kills

GBK’s American Music Awards Gift Lounge also features t-shirts and accessories from Glamour Kills (www.glamourkills.com). With lines that reflect the music industry’s rock culture, Glamour Kills designs clothing like t-shirts, hoodies, bathing suits and denim.

Glamour Kills supplying fashion for a younger crowd

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Often forgotten, celebrity vehicles received their proper share of pampering at GBK’s Gift Lounge honoring the American Music Awards. Guests enjoyed the opportunity to personalize their ride with everything a car would need, including automatic detailing products from number one Car Care brands Rain-X (www.rainx.com), Black Magic (www.blackmagicshine.com and Auto Expressions (www.auto-expressions.net). Shell (www.shell.com) was also on hand as they gifted Gas cards.

Just a few of the many products on display

RevitaLash

Always popular among celebrities, RevitaLash (www.revitalash.com) treated guests at the GBK Music Lounge to their eyelash conditioner that lengthens and thickens eye lashes. RevitaLash also presented their new product, Hair by RevitaLash; it’s a conditioner that gives you thicker and fuller hair and was a hit at the event!

Revitalash Rep

Dr. Tracie Battle

Beauty and fitness weren’t ignored as Dr. Tracie Battle gifted a $7500 Gift Certificate for dental services plus an at-home whitening treatment kit.

CellCeuticals Biomedical Skin Treatments

Another treat at GBK’s event were CellCeuticals Biomedical Skin Treatments from CellCeuticals Skin Care (www.cellceuticalskincare.com). The treatments offer visibly younger skin in just 2 weeks!

Dr. Garth Fisher and his lovely wife

Century Sports Club and Day Spa

Century Sports Club and Day Spa (www.centurydayspa.com) gifted $200 gift certificates to their club and spa for massages and detox body scrubs. The spa features the 3000 year old art of Korean bathing and relaxation.

Steven Hill (rt) from Real World Las Vegas

ACE Karaoke

From American Music Awards Nominees to shower session divas, everyone enjoyed singing their favorite tunes during GBK’s Music Lounge event, courtesy of Ace Karaoke (www.acekaraoke.com). Ace Karaoke is a leading provider of Karaoke equipment and offers a seemingly endless selection of Karaoke machines.

Beezag

A charitable heart and spirit were on display as Beezag (www.beezag.com) raised $3500 for charity during the 2009 GBK Pre American Music Awards Gift Lounge. Beezag is a new invite-only online and mobile service that is revolutionizing the world of advertising. The web site allows people to earn money and rewards simply by watching targeted video ads.

Hireko Golf

Hireko Golf (www.hirekogolf.com) gifted the men one of their best-selling Power Play Caiman Golf Club Drivers or Acer MC4 Putters and to ladies, the Swarovski crystal laden iBella Tiara Putters or iBella Volare Putters.

Tasty Treats

Gourmet highlights included confections by Hansen Cakes (www.hansencakes.com), who served samples and displayed one of their trademark elaborate display cakes fitted to the AMA’s Rock N’ Roll Theme.

Beautifully crafted drum and guitar cakes from Hansen Cakes.

Debrand Fine Chocolate gifted 1 lb. boxes of their classic collection (A favorite treat at Cannes Film Festival) as well as a $50 gift card.  These chocolates are gourmet works of art that are incredibly delicious. From classic favorites to beautiful chocolate truffles to their Connoisseur Collection, Debrand Fine Chocolates has taken the art of gourmet chocolate candy to a whole other level. Truly  a standout in their field.

DeBrand President and founder Cathy Brand-Beere with her amazingly delicious Truffle Collection.

Debrand President and founder Cathy Brand-Beere explains she grew up in a family deeply involved in the confectionery arts, and her love for chocolate began at age 8, when she started making and experimenting with chocolate and never stopped! Every aspect of her business, from the artisan process of creating their chocolates to the packaging and presentation is held to standards of absolutle excellence. This is the best chocolate, bar none, we have tasted all year! www.debrand.com

Garden of Eating Catering (www.gardenofeatingcatering.com) sampled savory hors d’oeuvres and dessert bites while gifting an invite to use their services for a cocktail party of 10 people.

In a nod to the green theme of the GBK Music Lounge, Yogavive presented their YogaChips; tasty eco-friendly Apple Chips. Dippin’ Dots (www.dippindots.com) kept it cool with a flavorful variety of ice scream samples and a $145 gift certificate for use on their website.

Elliott Yamin with galpal.

Drinking in Style and Luxury

The bar at the GBK gift lounge was stocked with Bean & Body (www.beanandbody.com), a harmonious blend of artisan organic coffee and the powerful health promoting anti-oxidant flavors of pomegranate, acai berries, and blueberries. Unique hand painted bottles of 2Nite Vodka (www.2nitevodka.com) were on hand at the Music Lounge. 2Nite Vodka is premium vodka from a family owned Italian distillery. Celebrities also enjoyed concoctions from Finest Call Premium Cocktail Mixes (www.finestcall.com) and sipping T2U All Natural Green Tea (www.drinkt2u.com) in 3 flavors; original green tea, pomegranate, and citron. Don Pilar (www.donpilar.com) presented their ultra-premium, anejo tequila. And as the night wore on, Monster Energy Drink (www.monsterenergy.com) was there to provide a boost of energy. Guests also enjoyed the thirst quenching taste of O.N.E. coconut water (www.onenaturalexperience.com). O.N.E. coconut water was developed to support the availability of safe, clean water at a global level, donating 100% of the profits (after operating expenses) to non-profit organizations.

From creators of Pom, Cherre was also refreshing the stars

Green to the End

The conclusion of GBK’s American Music Awards Music Lounge saw Special E (www.thespeciale.com) taking center stage with their recycling efforts. Special E is a unique green business that rescues items that are left over from events, recycling and re-purposing the left over materials in ways that help the environment and people in need.

With each celebrity that became a member during the event, Beezag made a donation to a charity of that person’s choosing from the three associated with the GBK gift lounge. They included Okobos (www.okobos.com), Global Green (www.globalgreen.org), and Environmental Media Association (www.ema-online.org).

GBK gift suites are known for their glamerous ultra suites which are very professionally done with attention to every detail.

Gavin Keilly always see to it that, besides gift giving, GBK give back to charities. He’s provided platforms for multiple  charities at each suite, and rallies the stars to help raise tens of thousands of dollars for the charities at every single gift suite that GBK puts on.

GBK has made  “LA’s The Place Top Picks for 2010″ in the Gifting Suite category (See list to come out in January 2010). For more information on GBK, visit www.gbkproductions.com.

From the annual Holiday Sing-A-longs which provide the perfect setting for an unforgettable family outing, to the jump, jive and swing of Big Bad Voodoo Daddy on New Year’s Eve, Deck the Hall’s eclectic programming provides something for everyone during this special time of year.

Deck the Hall Highlights

• Big Bad Voodoo Daddy Swing in 2010 with Two Special New Year’s Eve Performances

• Handel’s Messiah, Features Les Violons du Roy, La Chapelle de Québec and Stellar Soloists

• David Prather Hosts Annual Holiday Sing-A-longs for the Whole Family

• Grammy winners Sweet Honey In The Rock Spread Holiday Cheer A Capella

• Preservation Hall Jazz Band Bring New Orleans to Los Angeles for the Holidays

• Chanticleer Return with Luminous Vocal Treats for the Holidays

• Organist David Higgs Presents the Annual Holiday Organ Spectacular

Tickets for Deck the Hall

Tickets ($25 – $175) are on sale now at the Walt Disney Concert Hall Box Office, online at LAPhil.com, or via credit card by phone at 323.850.2000. Please note that the price range varies for each of these events. A limited number of $10 rush tickets for seniors and full time students may be available at the Walt Disney Concert Hall box office two hours prior to the performance. Valid identification is required; one ticket per person; cash only. Groups of 12 or more may be eligible for special discounts for selected concerts and seating areas. For information, please call 323.850.2000.

LA Phil

The Los Angeles Philharmonic Association, under the exciting new leadership of Gustavo Dudamel, presents the finest in orchestral and chamber music, recitals, new music, jazz, world music and holiday concerts at two of the most remarkable places anywhere to experience music – Walt Disney Concert Hall and the Hollywood Bowl. In addition to a 30-week winter subscription season at Walt Disney Concert Hall, the LA Phil presents a 12-week summer festival at the legendary Hollywood Bowl, summer home of the Los Angeles Philharmonic and home of the Hollywood Bowl Orchestra. In fulfilling its commitment to the community, the Association’s involvement with Los Angeles extends to educational programs, community concerts and children’s programming, ever seeking to provide inspiration and delight to the broadest possible audience.

For more info and events for LA Phil, visit: www.laphil.com

With his out-of-the-world vocal range and unique musical style, Adam Lambert is the ultra-glam, rock superstar that has everybody talking and America hooked. Lambert is always edgy and never apologizes for who he is, as he feels comfortable in his own skin and understands that not everybody are in for his wild ride. The first single, “For Your Entertainment,” embodies a burlesque motive it is very glossy and erotically charged. The disco themed song asks if you know what you’ve got with your partner and indulges in some S&M innuendo?

The lead track, “Music Again,” embodies a ‘80s rock sound not unlike Bon Jovi complete with Lambert’s characteristic screech and a guitar solo typical of the era. Like many relationship songs “Whataya Want From Me,” ventures into not letting someone get the best of you.

Adam co-wrote four of the songs on his album including “Pick U Up,” about waiting a lifetime to find that special someone, “Strut,” again about finding that exceptional love evoking a Freddy Mercury sounding bridge, and then probably the strongest song on the disc “Aftermath,” exploring the idea of not ever being alone and not of being afraid of what is inside, and finally “Broken Open,” a tender ballad about being imperfect.

One of the most universal themes on this album is the desire to feel comfortable in your own skin no matter what other people may think about you. Sticking up for oneself regardless of the status quo. On “If I Had You,” plays out like Cher’s song, “Believe” espousing that if I had you that is all I ever need and “Sure Fire Winners,” is disco based with electronica tune sounding like a video game including that oh so famous scream. “Soaked,” is a Middle Eastern power ballad as is “A Loaded Smile,” both searching for love. “Fever” desires to get that special someone all alone “Sleepwalker,” examines when one can’t exist with out the other includes an expressive electric guitar solo.

The bonus track “Time For Miracles,” is being used as the soundtrack for the movie blockbuster “2012.” If offers Lambert the opportunity to be immortalized in motion picture history. While this album has high expectations it does not stall offering a little something for everyone. The disc grows on you and foretells that Lambert has a successful career ahead of him. While at times overtly theatrical he has the chops to produce exceptional music and never disappoints.

Adam Lambert's jewelry by Michael Spirito

Lambert’s Album Cover

Featured unabashedly on the cover of “For Your Entertainment”, Lambert’s custom-designed ring is by the ‘Jeweler to the Rockstars’ and CFDA member, jewelry designer Michael Spirito.  His latest collection, Rock & Redemption by Michael Spirito, premiered in November at 200 Sears stores nationwide. The Rock & Redemption collection mirrors Michael’s custom work in that it is deliciously dark and glamorous, but is thankfully available at price points that the rest of us can afford. Michael is a highly-regarded jewelry designer to many of the best names in music, including Beyonce, Rihanna, Gwen Stefani, Bon Jovi, and numerous others from all walks of music.  He designs the edgy, uber-fabulous looks that make the rest of us wish we could sing, dance or do anything worthy of baubles quite so rocker-cool.  To see more of his designs, click HERE.

Singer songwriter, guitarist, comedian and celebrity John Mayer releases his fourth studio record, “Battle Studies,” on Columbia Records. The album title was derived by the title name of a book that Mayer stumbled upon when working on this new record. Intelligent, industrious and well spoken, Mayer is the consummate songwriter and this seven-time Grammy Award winner never disappoints. This time he relies on his contemporary’s timeless music by artists such as Tom Petty, Fleetwood Mac, and Neil Young in mind to produce his unique and engaging sound. Mayer is both sensitive and authentic.

Incorporating the warmth, melodies and simplicity of ‘70s and ‘80s California Rock/Pop “Battle Studies,” is a confessional, relaxed and liberated album recorded in a private home in California where Mayer lived and worked over the course of six months before wrapping up at the famed Capitol Studios in Los Angeles.

“Who Says,” the album’s first single has hummable harmonies and a catchy chorus and the tune itself challenges conventional standards of what one can accomplish or undertake – despite society’s constraints. “Battle Studies,” also showcases universal themes on “Heartbreak Warfare,” “Assassin,” and “War of My Life,” while Mayer flexes his guitar chops on, “Rock Song,” and a reinterpretation of the blues standard, “Crossroads.”

The famously collaborative guitar player also has invited the recently crowned Country Music Entertainer of the Year Taylor Swift to appear on, “Half of My Heart.” While not quite a duet, Swift lends her incomparable sound on this melodious song. “Friends, Lovers Or Nothing,” rounds out the disc putting forth poignant lyrics about relationships that have to be either friends, lovers or nothing.

“I approach music like a director doing a period piece,” explains Mayer. “Where “Continuum,” was R&B and Soul, “Battle Studies,” melodies and message are concise and from the gut with efficiency of simplicity.” Mayer acknowledges that the sound is more edgy this time out and something one would experience in their living room instead of the more produced sound found on “Continuum.”

The consistency with which John Mayer combines wordcraft and melody has earned him rarefied status in popular culture as a genuine and respected songwriter and musician. In 2007, Time Magazine placed John Mayer on their Time 100 list of the most influential contemporary thinkers, leaders, artists and entertainers. For two consecutive years, Rolling Stone Magazine featured Mayer on their cover of their annual “Guitar,” issue – first with the May 2008 “Living Guitar Legends” issue and then as part of February 2007’s “Guitar Heroes” round-ups featuring Mayer with peers and icons alike.

From rock to blues, hip-hop to jazz to country, Mayer has performed and/or recorded with Eric Clapton, BB King, Buddy Guy, T-Bone Burnette, Herbie Hancock, Dixie Chicks, Jay Z, Alicia Keys and Taylor Swift. In 2005, Mayer famously toured and recorded with power players Pino Palladino and Steve Jordan as John Mayer Trio, whose live album “TRY!” featured searing blues and rock. A John Mayer North American tour is currently being planned and will follow the release of “Battle Studies,” in early 2010. For more on Mayer please go to www.johnmayer.com

Katy Perry’s MTV Unplugged CD/DVD set is officially out! You can hear see all seven of the tracks here, courtesy of www.MTV.com. The songs include “I Kissed a Girl,” “Waking Up in Vegas,” and the premiere of “Brick by Brick”. Watch them and enjoy. We love Katy!

KATY PERRY

Official: http://www.katyperry.com

MySpace: http://www.myspace.com/katyperry

Twitter: http://www.twitter.com/katyperry

Facebook: http://www.facebook.com/katyperry

MTV Unplugged on Amazon: http://links.emi.com/katyperry_unplugged

Chairlift, a multi-instrumental three-piece rock band, currently hailing from Brooklyn, New York, play a thoughtful, dream-filled techno-pop music combining unforgettable melody with an interesting production and a classical avant-garde sensibility embracing the future. At times it feels as though they are channeling the Yeah, Yeah, Yeah’s similarly from New York City both a trio and putting forth techno/electronica vibes ever so present in our musical landscape.

Chairlift is expansive and cinematic, its name evoking an ever-changing vantage point rising (or falling) above the ground. When it came time to write and record the songs for “Does You Inspire You,” the band’s debut album, the members of Chairlift drew on a vast array of pop influences, finding echoes of country western pathos in “Don’t Give A Damn,” a swaying emo-samba in “Make Your Mind Up,” and an ironically sunny evocation of love’s turmoils in, “Bruises,” (which was the ironic soundtrack for a 2008 iPod Nano campaign). The song has an electronica backbeat and a rousing choir with a memorable haunting chorus that is iconic to the band.

“Planet Health,” the second track leads off with birds chirping and Japanese melodies crescendo into pure, breathy ecstasy. “Evident Utensil,” evokes the most simple of utensils the pencil. The song makes quick use of the synthesizer.“Le Flying Saucer Hat,” tips its hat to ‘80s synth-rock utilizing French conversation against uptempo techno-music.

Chairlift is: Aaron Pfenning, an experimental minimalist guitar player, who creates the delicate haunting quality of Chairlift, Caroline Polachek, a Connecticut-born singer whose vocals shape-shift for the ethereal to the earthly to evanescent depending on the needs of the song; and Patrick Wimberly, a Nashville native whose decision to study jazz and orchestral arrangements at university brought him into the radius of the band.

The initial success of “Does You Inspire You,” released on the Brooklyn-based indie Kanine label in September 2008 led to the signing of Chairlift to Columbia Records. For the group’s major label debut, Chairlift remixed and mastered “Does You Inspire You,” and included two new tracks, “Dixie Gypsy,” and “Le Flying Saucer Hat.” For more on Chairlift please go to: www.chairliftmusic.com www.myspace.com/chairlift columbiarecords.com

By Susie Salva

The rock band Train was on the right track with a spirited performance to a nearly sold out crowd at the Majestic Theater in Ventura, California. Front man Pat Monahan is the consummate performer with his soulful swagger and poignant lyrics.

He commanded this middle age crowd eager to please them getting right into their signature song “Meet Virginia” off of their debut CD that was recorded fifteen years ago. Veteran guitar player Jimmy Stafford delivered a killer guitar solo accompanying that recognizable track.

Monahan sang a repertoire of material from the bands five albums…“Train”, “Drops of Jupiter”, “My Private Nation”, “For Me, It’s You”, and their new release “Save Me San Francisco”. Monahan engaged the crowd by bringing up four teenage girls on stage to sing with him “She’s On Fire,” giving them pink T-shirts and deeming them as the Trainettes. It was absolutely adorable as he danced with them having join in singing the background to that track. Next he dove into singing, “The Way I Wish You Were,” and then “Get To Me,” to a rousing crowd delirious by these infectious songs. Monahan promised that he plays a different set every night on the road making every moment exciting. You never know what songs they are going to sing making it fresh and entertaining.

He then asked the crowd to be quite as he sang “When I Look to the Sky,” without a microphone, saying, “I would like to sing this song without a mic as the way in was originally intended the song to be.” That was a majestic and moving experience.

Monahan tried out their new single, “Hey, Soul Sister,” where Stafford played a ukulele and the fans sang along. He than sang “It’s About You,” and “Calling All Angels,” as the crowd waved their hands into the air. After those songs Monahan, Stafford and drummer Scott Underwood performed an acoustic set playing “Hopeless,” and explaining how Monahan used to paint houses to make ends meet, “I would listening to this song not knowing down the line I would be performing live,” he delved into Led Zeppelin’s “Going to California,” complete with hand gestures aka Robert Plant.  He then again brought up two young kids singing a soulful, “Save the Day,” joking… Pat kicks ass.

Doing some acrobatics Monahan stood on the speakers singing “Drops of Jupiter (Tell Me).” There was a video montage of San Francisco as they debuted the title track to “Save Me San Francisco,” taking a break and coming back with an encore of an INXS song.

Detroit Michigan native Uncle Kracker opened up for Train debuting their new single, “Smile,” as this pop-rap outfit entertained the crowd. He commented on the crowd as being older…but in a good way. “Forty is the new Thirty,” he maintained. The band played some uptempo southern style rock with a rap backbeat.

All in all it was and uplifting and entertaining evening. If you have the chance go see Train live…you will be blown away.

By Susie Salva. Read Susie Salva’s review on Train’s new CD here…

For more on Train please go to www.trainline.com.  Photo credit from www.trainline.com.

(Pat Monahan photos above by Leigh Hurst)

Southern California native, twenty-one year old, songstress Angel Taylor has just released her debut CD, “Love Travels,” on Aware/Columbia Records. This album is fresh, breezy, pop music straight from the heart. Taylor can best be compared to that of Norah Jones meets Alicia Keys with a twist of Ingrid Michaelson. The 12 tracks on “Love Travels,” are more than just personal missives that Angel Taylor has set to music, they are living and breathing experiences that all of us have shared. “Anyone who has ever wanted to be loved very deeply by someone, but hasn’t, will totally be able to grab hold of these songs,” says Taylor. “That’s what this album is about – wanting it so bad, not having it, and wondering why…It’s a lot of questions.”

And while Taylor doesn’t pretend to have all the answers, there’ no escaping how good it feels to get engulfed by her insecurities, romanced by her vulnerability, and swooned by her tender lyrics and swaying melodies. Angel Taylor is writing about the most pure, untainted of experiences that too often devour our hopeless romantic buried in us all.

“Chai Tea Latte,” opens the album like the songbirds mating call, comparing a multi-cultural love to that of her favorite Starbucks drink and romanticizing the perfect date in a gently stirred ballad. Taylor’s lyrics pack a wisdom that defies her years, finding the simplest, most accessible way to describe life’s most confusing emotions. Packing a melodic sensibility that is undeniable and engaging, “Like You Do,” and “Make Me Believe,” follow down more traditional pop avenues the former an uptempo, peppy track and the ladder with a reggae back beat. “Maple Tree,” is Angel at her most vulnerable, a lush canopy of music cloaking her bared soul. At opposite ends of Taylor’s musical spectrum is “Spinning Wheel,” the track that produced the titled of the album pairs with her piano ballad offering the jarring landscape for personal insecurities.

“Don’t Forget Me In Time,” is one of the stronger songs with engaging lyrics, catchy chorus and engaging melodies.
Co-written with her sister Ebony, “Epiphany,” is a jazzy interlude, and “It’s Easy,” features the songwriter in all her understated, stripped-down glory.

Just as spectacular as the music, is the young woman who crafts it. Taylor is one of music’s emerging voices for those of us seeking substance amidst the overblown style of today’s pop culture. A passionate blend of youthful innocence, soulful essence and spiritual center, Angel Taylor’s “Love Travels,” debut explores her longing for love and lust for life colored by dashes of hope. Angel Taylor was recently featured on the Ellen DeGeneres Show. For more on Angel Taylor please go to www.angeltayloronline.com or www.myspace.com/angeltaylor

Katy Perry with host Scott Harden

3OH!3 premiered their newest video for “Starstrukk (featuring Katy Perry)” on MTV today. This is the group’s latest single which can be heard in the trailer for “When In Rome,” an upcoming romantic comedy by Touchstone Pictures starring Kristen Bell and Josh Duhamel. 3OH!3’s “Starstrukk” will also be included in the soundtrack of the movie set to release in January 2010. Known for their quirkiness, 3OH!3 does not let up in this new video and Katy Perry dives right in, getting up close and personal with the boys. It is definitely one full of entertainment and will have fans watching over and over again.

Written by Susie Salva
San Francisco based alternative rockers Train have put forth one of their best efforts on their latest CD release, “Save Me San Francisco,” on Columbia Records. This time out the band pays homage to and demonstrates their affinity for their home base of this cosmopolitan city. Train credits the city of San Francisco with cultivating the band’s identity and foundation, and so it’s no wonder their title track, “Save Me San Francisco,” tips it hat to the Bay Area metropolis that the band holds so dear. The album embodies a fresh, upbeat, youthful and spirited approach harkening back to their early musical roots.

“Save Me San Francisco,” is an autobiographical account of Train’s beginnings and also the soul of Train as a band. Frontman Pat Monahan is one of the most talented lyricists and the songs that the band have written on this new disc take the listener through the three piece’s humble start in the mid-90’s to present day music.

Accomplishments

Over the course of 15 years, Train has made its mark on music history with their Grammy-Award winning song, “Drops of Jupiter (Tell Me)” and chart topping singles, “Meet Virginia,” and “Calling All Angels.” Since forming in San Francisco in 1994, the multi-platinum selling band has traveled a long, successful and sometime arduous journey.

Album Description

“Save Me San Francisco,” taps into Train’s organic sound, recalling the blues and folk-infused rock that put the band on the map from the start. “It’s pretty basic,” Monahan explains of the record. “But really cool because there’s super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It’s kind of us going backward so we can go forward.”

The first single off of the album, “Hey, Soul Sister,” is peppy and fun filled tune with a catchy chorus that remands in your head for days on end. This song was recently featured on CBS’s “Medium”. With the help of producer Martin Terefe (KT Tunstall, Jason Mraz, and James Morrison) Train was able to tap into the bands roots and put out a song that is reminiscent of their massive hit, “Meet Virginia” while remaining fresh and current.

The third track, “I Got You,” is a tribute to the Doobie Brothers, “Blackwater,” evoking sounds of the ‘70s and mentioning Sonny and Cher’s, “I’ve Got You, Babe,” signatory song. “There are certain songs that, instead of there being have an intention, there is almost a theme,” says Monahan. This album seems to possess a theme of optimism, happiness, and hope in an enduring relationship. It seems this time out that Monahan and the band, (Jimmy Stafford, Guitar, and Scott Underwood, drums) are satisfied in their relationships and the storytelling lyrics on the album is, “about love in every you can think about it,” explains Monahan.

The rest of the disc including “This Ain’t Goodbye,” “Words,” “Brick by Brick,” and “Marry Me,” all evoke fondness of working relationships and one of finding one’s self in an happy and secure place.

In this day and age, career artists are few and far between, and after a decade and a half of being a band, Train is ready to present one of their strongest efforts to date. Monahan recognizes the band’s accomplishments, and, he states clearly, is more than grateful for the success they have experienced. For more on Train please go to: www.trainline.com

Train: Jim Stafford, Pat Monahan and Jim Stafford.

It was historic in nature, as G-VO, who released his second LP Zero & One on this night, stood on the same stage on which musical giants like Frank Sinatra, Sammy Davis Jr. and Ella Fitzgerald performed. The event was sponsored in part by the International Medical Health Organization, or IMHO, and was apart of the Ambassador Auditorium’s outreach and mission to support community-enlightening and significant endeavors. G-VO’s voice, a Sri-Lankan born voice, definitely is in line with this, and the people-packed Ambassador Auditorium was elevated in understanding, filled with the spirit of service through art.

G-VO stood tall on Saturday evening, representing his people with honor, but also with genuine, candid thoughts. The performance parts included: a DJ, a string quartet, a drummer, two guitarists, background singers, special guest performances, and as well, a poet. The voice of God even played a role, with G-VO conversing with God throughout the performance, likening it to the conversation Moses had with God prior to his following of God’s will in him being the one to lead the Lord’s children out of Egypt. G-VO’s music and performance showed that he is doing everything in his power to be a leader for God, to utilize his given talents to glorify the name of God, and take action in the world to represent a beacon of light and hope for others.

The event raised more than $20,000, all of which will be donated to support the IMHO’s efforts in Sri-Lanka. There were even two IMHO representatives in the audience who came on stage during the performance to provide an informative intermission, one that educated those in attendance about the realities of the conditions in Sri-Lanka. The IMHO has raised millions of dollars for those displaced peoples in Sri Lanka, and have been at the forefront of global issues for many years. The two representatives provided in-depth and gut wrenching accounts of what is currently taking place, including, but not limited to, overpopulated tents, lack of clean water, lack of appropriate rations of food, and even children being disconnected from the rest of their family members. G-VO’s performance was right on time, but in so many ways, overdue.

As told through G-VO’s music and commentary, as well as through the IMHO’s words, the audience (and I) learned about the conflict between the Tamil and Singhalese people as well, the integral reason for the current realities. This is apparently causing dire straits in the country, with wars and conflicts serving as a few of the fruits of this divisiveness, and as well, harsh distressing conditions in the camps that these displaced people live in. So many people in the country find themselves removed from their own homes, but still in their country. To be so close to home, but not be able to go there, is perhaps the most distressing reality of this situation.

His music is controversial, progressive, and clean. His musical tastes are of high quality, and this is no surprise as G-VO displayed multiple talents throughout the performance—singing, rapping, and playing the piano. G-VO is just as relevant to the needs of us here in America as he is to the issues currently happening in his home country. Hip-hop is in need of more leaders like G-VO. Those in Sri Lanka that are direct and indirect proponents of the strife in Sri Lanka could benefit from listening to him. G-VO is a dynamic and talented member of the Millenial generation, one whose ideas and words matter so much more now than ever.  We all would benefit from listening to G-VO, if only for a moment.

But the beauty of the One who directs the actions of G-VO, our Father in Heaven, is that a moment to Him is a lifetime. Let us pray that G-VO’s ideas, words, and efforts are heard, seen, and felt all the way to Sri Lanka. Historic things have happened in the illustrious Ambassador Auditorium, but until now, it had not yet worked to end a war, to assist in getting thousands of people back home. The Ambassador Auditorium, the IMHO, and G-VO all found a common thread on this evening, and hopefully the sounds of the performance reach the ears of the leaders in G-VO’s country, and with resounding power, creates peace.

Boston based pop-punk rockers Boys Like Girls release their sophomore album “Love Drunk” on Columbia Records, which is thoroughly intoxicating. These four friends didn’t have to look far for inspiration when it came time to record “Love Drunk” the long-awaited follow-up to their self-titled Columbia Records debut. The band knew how much they had progressed as a band while crediting a lot to their growing fan base. In the vain of All American Rejects and Good Charlotte, Boys Like Girls delivers some of the most exciting music of the past decade.

The band is comprised of Martin Johnson on vocals and guitar, guitarist Paul DiGiovanni, bassist Brian Donahue, and rounding it off is drummer John Keefe. The group puts forth catchy choruses, dance beats, and universal themes of love gone wrong. To capture the essence of the band they ascribed to making their sound more spontaneous and more importantly, creating a pristine sound instead of over-processing found so prominently on many of the current artists’ records to date. The mindset of BLG that rules their live show is also the mindset that helped shape “Love Drunk”.

“We came into the studio and started banging this new record out, it was like second nature to us. We didn’t want to write an album that was the same as our first record, but we still wanted to do something that would be fun and different and cool, and stay totally locked with our fan base. That’s because they have been here for us since the beginning and allowed us to evolve with them. They (fan base) are the most important thing to us,” says Johnson the primary songwriter of the band.

Look no further than “Love Drunk”, the album’s anthemic lead single and title track. It is a punchy celebration of love’s intoxicating effects. Boys Like Girls songs deal with the challenges of heartbreak and also the elation of new romance. “Love Drunk,” track has all of the happy medium between the band’s pop-rock debut and the more electronic fashion of bands like the Killers and Franz Ferdinand.

The lead track, “Heart, Heart, Heartbreak,” another pop-rock anthem, ramps the arena-ready sound up another notch, the verse-chorus-guitar solo combo custom made for audience participation and “Contagious,” follows suit with a penetrating bottom-end and rich vocal harmonies, further elevating Boys Like Girls to infectious new heights. On the less raucous end of the musical spectrum, a string section helps set the tone for the tender ballad with country superstar Taylor Swift on “Two Is Better Than One,” while the mid-tempo “The First One,” offers an endearing take on bouncing back from a broken heart.

Voted by Spin.com as Artist of the Year, it is easy to see why Boys Like Girls are so revered by their undying fan base while proving they are not at all affected by the sophomore slump. The band has made a smooth transition and progression from where they first started with their debut CD the self-titled, “Boys Like Girls.” Catch frontman Martin Johnson performing the National Anthem on Monday Night Football’s opening game on September 14th. They will also begin their headline tour on October 14th. Follow them on www.boyslikegirls.com and www.myspace.com/boyslikegirls.com.

Luke Pilgrim with band members of Last November.

LA’s the Place: Welcome to LA!  Is this the band’s first time playing in LA?
Luke Pilgrim: Sure is. First time in the city of angels.

LATP: Who has influenced you the most in your career?
LP: Bob Ross. Because of his calm, patient nature.  Remember “The Joy of Painting?”  Good stuff.

LATP: What is your personal favorite song off of your current album “Over the Top or Under the Weather?”
LP: I get this question a lot, and I can never answer it.  It’s like saying “who is your favorite, your son or your daughter?”  If I pick one, the other songs will resent me and grow up with serious baggage and personality disorders.

LATP: What inspires you to write your songs?  Any subject in particular that you tend to gravitate to?
LP: Everything inspires me!  Books, Films, TV shows, relationships, I just try to write lyrics people can relate to and live through.  That is the point of a song to me, it’s an escape.

LATP: Do you have any favorite spots to go to in LA while you are here on tour?
LP: Well this time I imagine we’re gonna hit some cliche tourist attractions.  Don’t judge, it is our first time!  We want it to be magical like losing our virginity… simultaneously.  But we really want to go by In-N-Out burger.  We’re huge Big Lebowski fans.

LATP: What is your favorite part about being in a band?  Least favorite part?
LP: Touring and meeting friends on the road is the most rewarding part.  Least favorite part is probably my sleep habits.  I never sleep, either because we are on the road and no one sleeps on tour, or because I’m obsessing over a new song or idea, and I just can’t sleep.

LATP: What is the craziest thing a fan has ever done?
LP: This wasn’t really a crazy fan moment, but it was interesting.  This guy almost hit Ty in the head with a beer bottle when we were in South Carolina.  The guy was being kicked out for biting a girl on the butt, and he wasn’t very happy about it so on his way out he flung his beer bottle and it just barely missed Ty’s head.  Taylor was the only one who saw it, Ty and I were rocking and didn’t even know about it until after the show.

LATP: There are rumors that a new album will be coming from Last November in early 2010 – can you tell us anything about it?
LP: There might be something to that rumor.  All I can say is the conscious molecule returns over a wizard goldfish…. no I’m just joshin’ ya.  Yeah, we’re working on some new tunes right now.  However I don’t know when we will be releasing anything.  We’re still in the demo/pre-production phase and we haven’t decided on a producer yet.  I am super excited about the new songs though, and we’ve been trying some of them out on the road.  Who knows, we may throw one of these tunes up on MySpace so keep your eyes peeled.

LATP: If you could play with any artist dead or alive, who would it be and why?
LP: I would like to literally play with an artist.  Like play scrabble with Mick Jagger, or twister with The Polyphonic Spree.  Wouldn’t THAT be something?

LATP: What is up next for Last November?
LP: We’re making a zombie film.  Follow us on Twitter at www.twitter.com/LastNovember (@lastnovember) so we can keep you up to date!

www.lastnovember.com

Maree McRae stepped into the music scene as lead singer and multi-instrumentalist for one of the Rocky Mountain region’s most sought after acts, Cadillac Ranch. After some time, she began to think about going solo. McRae’s solo career began with the release of her successful debut project “I Won’t Settle for Less.” Her debut quickly made its mark on the reputable National Gavin’s Top 40 Americana Radio Chart, gaining her acclaim and top awards as an insightful and melodic artist. Due to all of her new found success, McRae was approached with an offer to go on the road and tour. Unfortunately, at the same time her son became ill, and she was unable to commit to a traveling tour. McRae then decided to take some time off to stay with her son.
Luckily, after some time, McRae was able to get back in the studio, to work on her highly anticipated sophomore release, “Urgency,” after multi-platinum producer, Wyatt Easterling (head of A&R for Atlantic Records) heard McRae’s new writing, and offered her the opportunity to record in Nashville with triple Grammy award-winning engineer, Mark Capps. Her new album’s 12 original tracks maintain the truthful resonance that echoes a variety of styles from Americana/Folk Pop to Adult Contemporary. McRae self-composed all tracks, and the album is filled with her trademark, memorable melodies and lyrics from the soul.

“Urgency” is her most intimate work yet, with the title cut examining the preciousness of each moment in life and the poignant universal theme of immortality. This soulful collection of work holds McRae’s heartfelt voice front and center. Because of the poignant universal message she creates in this feature song and title cut, “Urgency,” McRae was offered and accepted the role of International Music Ambassador for the Colon Cancer Awareness Foundation.

Maree McRae's latest record, Urgency.

Now, McRae is ready to share her story, along with her new album, “Urgency,” with the LA’s the Place and the world.

LA’s The Place: You have gone through a good amount to get to where you are today. Can you tell us a bit about the obstacles you have faced in regards to your music and the struggle of your son’s illness?

Maree McRae: I remember after releasing my first album “I Won’t Settle For Less,” I got the cover story for Performance Magazine. That was a big deal at the time. We were playing the Crossroads Showcase in Memphis, and I was touring to the World Music Fest in Sweden. Then I was told that in order to get signed I had to commit to touring nine months out of the year. I remember crying thinking, “I have a sick child, how can I possibly tour?”
I realized then that I had a choice to make. Although I knew that my music’s exposure would suffer, my son came before it all. It really was an easy decision. I walked away from the dream to care for Stephen.

LATP: What did you take from the experience?

MM: I grew stronger out of necessity. I mean, you either sink or swim. You make a decision every day for hope or gloom.

LATP: You bring such feeling and emotion to your lyrics. Has being able to do so helped you to get through the challenges life brings?

MM: Because I can put my emotions into words, writing music is so healing and because I share this with others who can benefit, it’s been very therapeutic. I remember even as a little kid, I’d go sit on the piano stool and pluck away at the keys and totally disappear from this world. So I would say music is a total release for me.

LATP: Let’s talk about your single (and album name). How did you decide on the name, “Urgency”?

MM: About 2 years ago, on the day my son was finally diagnosed, I wrote “Urgency” walking out of Natl. Jewish Hospital. It was that overwhelming sense, as I stated in my album liner notes, that there was no time to wait. “It could be you, it could be me next, but what a gift it is to finally know how to spend our days.”

LATP: How about the rest of your album? Tell us a little bit about the tracks and what they mean to you.

MM: Honestly, nearly every track on this album is special to me. People email me daily telling me how a song has changed their life. “Do It For Love”, “Speak your Mind”, “Urgency”, “Let Go”, these are all the deeper songs, but I don’t think I have much “fluff” on this album anyway. I am proud of every song on this new release. Maybe “It’s a Shame” is more of the fun one, and even “Until I Met You.” The last song “Who Knows” of course, is very dear to my heart and it is still hard to get through it sometimes. “Who Knows” was mixed on this 100K system, just my voice, my keyboard and the beautiful cello. The sounds were so gorgeous, but on top of that, it being a song for my sick child…that was tough. I had Stephen’s picture with me in the vocal booth cutting it, and had to keep telling my engineer to give me extra time to get through this one! The song is about illness, it’s about doing anything to change it for our loved ones, to want to put ourselves where they are so they don’t suffer.
“Urgency” is available via CD Baby online and McRae’s successful single “Breeze” can be heard on the radio. Please visit her at: www.mareemcrae.com.

Invisible System - Punt Made in Ethiopia

Punt is an innovative masterpiece that blends high caliber musicians, such as Dan Harper himself, with a collective need for an expression of consciousness. To have such a large group of diverse musicians blend together on these songs makes me realize each of the players on this CD truly ‘left their ego at the door’ during the recordings. With Ethiopian roots, these songs grow without fertilizer and seem to be self watering. Each time you hear the songs, you will hear something different that you did not hear before as this will be the longevity of this world class fusion CD.

Invisible System - Punt Made in Ethiopia

Using his modular recording studio, Dan Harper has an international guest list that includes Mahmoud Ahmed, Bahta Gebrehiwot, Hilaire Chabby, Justin Adams, Tsedenia, Mimi, Tarmeg, Sami, Joie Hinton, Martin Cradick, Captain Sensible, Ed Wynne, Simon Hinkler, Dubulah, Perch, Juldeh, Elmer Thudd, Gary Woodhouse and Bos. With traditional vocals and modern fusion music you have a melting pot of global music.

Feel the Invisible System groove at http://www.myspace.com/invisiblesystem

SEE THE VH-1 SOBER HOUSE SCHOOL OF ROCK BENEFIT SHOW FEATURING PERFORMANCES
BY ACE FREHLEY (KISS),KYLE GASS (Tenacious D), STEVEN ADLER (Guns n’
Roses),MIKE STARR (Alice in Chains), and School of Rock All-Star Bands.

The show will be taped as a live concert event to benefit “Paul Green’s
School of Rock” community-based programs and will be shown by VH-1 as a part
of the Sober House series at a date to be announced.  You won’t want to miss
performances by Ace Frehley of Kiss and Mike Starr formerly of Alice in
Chains (current Sober house cast member) not to mention all the other
talented musicians.  The School of Rock All Stars Bands have performed with
Eddie Vedder, Alice Cooper, Ann Wilson, Peter Frampton and Perry Farrell and
range in age from 10 years old to 16 years old. All current cast members of
VH-1’s Sober House will participate in this Live event.

The tickets are complimentary — ABSOLUTELY FREE.  SATURDAY July. 25th from
7:30 PM until 11:00PM. You must be 18 years or older.

To join this exclusive audience, please rsvp ASAP.  Email
celebrityrehab@broadwayvideo.com with the following information in both
the subject line and the body of your email:

1. Rock Benefit
2. Your full name
3. The number of tickets you want (max.four  per request)
4. Your phone number
5. Your email address
6. Your age range (25-30, 45-50, 18-25 etc)
7. How you heard about the show i.e. email, website, your school, a friend,
Conscience Entertainment Group (CEG).

Example: Rock Benefit/Lisa Simpson/2/323-555-1212/musicgeniusLisa@aol.com
/18-23/CEG

We will respond quickly with a detailed confirmation via email. You should
hear from us at latest by SATURDAY, July 25th by 4PM. TICKETS ARE
COMPLIMENTARY! This is a live event.

VH-1 LOOKS FORWARD TO HAVING YOU IN THE AUDIENCE FOR THE SOBER HOUSE SCHOOL
OF ROCK BENEFIT SHOW!

EMAIL: CELEBRITYREHAB@BROADWAYVIDEO.COM

Sugarwall dishes unique sound

The Making of a Band

Sugarwall has been a long time in the making. After touring the Midwest in 2008, they parted ways with their lead singer and new bassist Rick Barrio Dill was asked to help find a replacement. Without any hesitation, he called upon a close friend and 5th generation musician Ronnie Dee (son of legendary recording artist Joey Dee & the Starliters). Ronnie contributed a fresh new perspective to the music and from there, the two worked on re-recording and re-writing the material. Rounding out the band is the talented Joey Lowe on drums and North Carolina native Mitch on guitar.

A Melding of Sounds

Now, bursting out of the L.A. scene, comes a new Sugarwall. Their sound is a unique combination of old school rock fused with vintage soul, hints of country, and a modern edge that separates them from the rest.  Think Matchbox 20 meets Rascal Flatts crossed with Train. Sugarwall delivers superbly crafted songs layered with ultra catchy guitar hooks, soulful infectious vocal melodies, and a solid groove that will keep listeners wanting more.

Praised as one of the best live bands you’ll see out there today, Sugarwall is an experience one simply cannot miss. Watch for dates near you and the new record “Find A Way” which was digitally released in June 2009. With notable tracks such as “Better Days,” “Video Star,” and “Nothing,” you must check these guys out.

LA’s The Place interviewed the band.

LATP: Your band is taking a risk during a very intense time in the economy. Besides the typical answer of “music is your true passion,” why are you taking a chance on your music over financial stability at a 9-5 job?

Sugarwall: Funny question really.  I think the band comes from a place where we feel we don’t even have a “choice”…this is what we were meant to do and any other pursuit would just be lying to ourselves.  Plenty of people love to tell you how bad the industry is, but if you are really following what you feel is your inner purpose and what gives you the most sense of “completion”, I think listeners and the public “get that” and the outcome will have positivity attached to it.

LATP: Tell us about your new LP “Find A Way.” What other groups can the sound compare to and how is it different from typical rock music in the scene today?

Sugarwall: We like to describe our sound as if Matchbox 20, the Goo Goo Dolls and Lifehouse all walked into a country bar and collectively picked some great Otis Redding songs off the jukebox…Sugarwall would come out the speakers. You could easily say that this is different from typical rock music today because our singer Ronnie Dee has a soulful and emotive aspect to his voice and tone that you don’t hear on this kind of Rock-Country-Pop…at all.  It’s inspiring and again, I think the public get this too.

LATP: The Los Angeles music scene is typically either punk or singer songwriters, is that correct? How does that affect Sugarwall?

Sugarwall: I don’t know if I could say that about LA and the “scene”.  I love Los Angeles with a passion, I just don’t personally feel any real “deep scene” just because the city is so big and diverse.  Sugarwall is really simple and in some ways a new hybrid of a few different feel-good sonic elements.  Our sound plays well in the other 90% of the country where life might be simpler, less hectic and maybe more traditional.  Someone reviewed the record the other day and called us new “Nashville Rock” and I thought that kinda made sense.   We really are a new twist on some of your favorite Rock, Pop or hint-of-Country bands so to speak, and we’re set up to be a touring band that lives wherever people understand this. Whether it would be Nashville, Britain, Sydney or Charleston South Carolina…we live where the music is at.

LATP: Why did you decide to tour as an independent band when the economy is keeping all the other bands at home?

Sugarwall: This gets back to what was brought up earlier. It’s not all “doom and gloom”, its just a different playing field. We know of plenty of bands that are doing great, but its because they are truly connecting with people, they have real talent to share and they have great songs to lead the way. They are building from the bottom up and not letting some “marketing machine” force feed to people what is cool or not.  The people know true talent as opposed to something that is cooked up in the studio and live music is getting its day again. You can’t download that experience.

LATP: What do you believe is your stand out track on the album and why?

Sugarwall: That’s a real tough question.  You will get a different answer from every 10 people you ask. As the producer on it, I know people might say this a lot, but I think every song we chose for the record is really strong with respect to our genre. We just shot videos for one of the ballads “Better Days” that kind of speaks about how you have to have the hard times to earn and really appreciate the good ones that are coming and then we totally changed feels and also shot a video for our Rock kinda country kitchy tune “Video Star” about a internet stalker.  You have the catchy Rocking tunes “Missed You,” “Find A Way” and “Goodbye” and you have the sweet songs like “Forever Now,”"Like Yesterday” and “For Your Love” which is the last song on the record, but depending on the time of day, my favorite.   That’s the nice thing about the Itunes store…if you want to pick and choose songs for your ipod or mp3 player, get er done…if you want to enjoy all different flavors, pick up the whole record the way we intended the journey to be. Have it your way.  (Laughs).